19:38:37含山风景区旅游BagGo

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含山风景区旅游《踏莎行》原文翻译及赏析_作者寇准春色将阑莺声渐老红英落尽青梅小画堂人静雨蒙蒙屏山半掩余香袅密约沉沉离情杳杳菱花尘满慵将照倚楼无语欲销魂长空黯淡连芳草渔歌子·西塞山前白鹭飞古诗(西塞山前白鹭飞)原文翻译及赏析_作者张志和西塞山前白鹭飞桃花流水鳜鱼肥青箬笠绿蓑衣斜风细雨不须归
《浣溪沙·万顷风涛不记苏》原文翻译及赏析_作者苏轼万顷风涛不记苏雪晴江上麦千车但令人饱我愁无翠袖倚风萦柳絮绛唇得酒烂樱珠尊前呵手镊霜须
《论诗三十首·十三》原文翻译及赏析_作者元好问万古文章有坦途纵横谁似玉川卢真书不入今人眼儿辈从教鬼画符这首诗是批评卢仝的追求险怪的诗风中唐时追求险怪诗风的主要是韩孟诗派韩愈的诗风的主要特点是深险怪僻好追求奇特的形象他善于捕捉和表现变态百出的景物展开丰富奇特的想象怪幻诡谲的构思创造匪夷所思的形象以文为诗用奇字造拗句押险韵避熟就生因难见巧韩孟诗派开一代诗风在创造出雄奇险怪的意象在反对传统锐意创新方面做出了突出的贡献但也难免流入另一种险怪艰奥拼凑堆砌玩弄技巧的形式主义卢仝受到韩愈的影响诗作过于好奇逞怪元好问否定了这种诗歌风格认为这种创作是鬼画符

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